I watched the third installment of the Knives Out franchise yesterday—and I liked it. It’s a good movie, and even one of the better films of the year. It’s obvious that everyone involved had a lot of fun making it, and that Rian Johnson is a smart writer.

Yes, he messed up Star Wars—but only because Kathleen Kennedy allowed him to. Johnson’s filmography proves time and again that he can write clever, original stories. Wake Up Dead Man is a great example of his ability to deliver smart, well-constructed plotlines.

That said, the one thing that almost made me give up on the movie was the first act. It’s simply too long. More than half an hour passes before we get the first murder victim. After that, the movie really picks up steam and keeps you on the edge of your seat. At times, it’s downright brilliant—just like the first two Knives Out films. But I can imagine some viewers dropping out during the first act because it drags a bit.

The best way to get people interested in your story is to start with a bang. Throw the audience straight into the action—just like Tom Cruise does in every Mission: Impossible movie.

Of course, you need to develop the plot and characters at some point, or you won’t have a story at all. But first, you have to capture the audience’s attention before they’re willing to invest in your character and plot development.

As great as Wake Up Dead Man is, I would have started with the murder and then used flashbacks to convey the plot and character development that’s crammed into the first act.

Still, I liked the movie—a lot—and I highly recommend watching it.