One of the best movies of the past few years is The Menu. Its opening scene delivers a great lesson for storytellers:
It perfectly captures the essence of show, don’t tell.
You could explain everything about the exclusive restaurant the characters are visiting via having the characters talk about it. You could have a narrator describe the incredible menu awaiting the guests in the intro. But the film doesn’t do that—it shows it to us instead.
The scene begins with Hoult’s character being visibly upset when the female protagonist lights a cigarette. He tells her that smoking will dull her sense of taste—just before they experience a highly refined meal. That single moment tells us everything about both characters: he is the passionate food connoisseur, deeply invested in the experience; she’s the indifferent plus-one, just along for the ride.
Moments later, Hoult’s character spots a famous food critic and is instantly impressed. Most people wouldn’t recognize a food critic on sight—even if he’s the most renowned critic in the industry. This tells us that Hoult’s character is not just interested in fine food—he’s obsessive about it.
In just 90 seconds, the film establishes the setting and the dynamic between the two main characters. And it does so without a single line of direct narration—it shows us everything we need to know instead.
This is excellent writing to learn from.
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